**CANCELLED** – Margo Cilker w/ Bart Budwig & Caitlin Jemma
**Due to circumstances beyond our control, the Margo Cilker show on 10/16 has been cancelled. Refunds will be processed shortly. We apologize for the inconvenience**Starline Social Club PresentsMARGO CILKERBART BUDWIGCAITLIN JEMMALive in the BallroomSunday October 16 2022 – Doors @ 7pm$15 adv // $20 dos18+———————— MARGO CILKER is a woman who drinks deeply of life, and her debut record Pohorylle, released in November 2021 on Portland label Fluff and Gravy, is brimming with it. For the last seven years, the Eastern Oregon songwriter, who NPR calls one of “11 Oregon Artists to Watch in 2021,” has split her time between the road and various outposts across the world, from Enterprise, OR to the Basque Country of Spain, forging a path that is at once deeply rooted and ever-changing. As Pohorylle traverses through the geography of Cilker’s memories—a touring musician’s tapestry of dive bars and breathtaking natural beauty—love is apparent, as is its inevitable partner: loss. For what bigger heartbreak is there than to be a fervent lover who must always keep moving? Cilker seems keenly aware of the precarious footing upon which love stands, and at many turns, the record circles something that is staggeringly beautiful and slipping away.“I am a woman split between places,” Cilker sings on the album’s wistful closer, touching for a brief moment upon the vast dichotomies of her selfhood and her profession, and the negotiation that she conducts between them. “I’m just very inquisitive. I’m a very curious person. Why are things this way? Do they have to stay this way? You know, how can things change?” Cilker asks. It is this part of her nature that expands Pohorylle into the complex journey that it is: her ability to crack open a moment of desperation and lay it out on a table to catch a careful light. Pohorylle, which carries gentle nods to Lucinda Williams, Townes Van Zandt, and Gillian Welch, shines under the instincts of producer Sera Cahoone, whom Cilker first came across in 2019 while planning her first full-length. “I was trying to pin down what kind of sound I wanted and stumbled across a video of Sera and just loved how she performed. I then listened to her last studio record and thought, that’s the sound.” Cilker says. “I found out Sera had produced that record herself with John Askew. My friend put me in touch with her and she liked my demos enough to produce the album. It felt very auspicious—It was truly just a gut feeling.” Cahoone quickly got to work assembling a first-rate band: Jenny Conlee (The Decemberists) on keys, Jason Kardong (Sera Cahoone, Son Volt) on pedal steel, Rebecca Young (Lindsey Fuller, Jesse Sykes) on bass, Mirabai Peart (Joanna Newsom) on strings, Kelly Pratt (Beirut) on horns, and the album’s engineer John Morgan Askew (Neko Case, Laura Gibson) on an array of other instruments. The record also prominently features effortless harmonies from Sarah Cilker, Margo Cilker’s sister and frequent touring partner. Over the last six years, Margo Cilker has toured extensively across the US and internationally, and is a staple in the independent festival circuit.
TK & The Holy Know-Nothings
Starline Social Club Presents:TK & The Holy Know-NothingsWednesday March 30 2022 – Doors @ 6pm (EARLY SHOW!!!!)$1518+————————-Rejecting the influence of fleeting scenes and encroaching developers; the Laurelthirst Public House has always stayed in tune with its generations of muddy patrons carving out lives as blue-collar artists. “The Thirst” — Portland, Oregon’s oldest independent venue — has always been a sort of misfit stronghold — a sanctuary for the same kind of spirit that sustained local punk legends Dead Moon and outsider folk hero Michael Hurley. It’s also become a lifeblood for working-class musicians like Taylor Kingman. Most nights, you’ll likely find the TK & The Holy Know-Nothings songwriter and lead vocalist on stage (or at the bar). Ask around the place and you’ll quickly uncover Kingman’s reputation as the sort of songwriter who makes other songwriters jealous, even angry. You’ll also hear about his hustle as both a player and writer, as those same songwriters line up to play with him. It’s led to countless projects, exploring myriad concepts and styles, and making the sort of honest music that stands starkly, alongside the Laurelthirst, against the backdrop of a city quickly fading under the lacquer of gentrification.TK & The Holy Know-Nothings is perhaps Kingman’s most beloved project. Half-dutifully and half-facetiously self-dubbed “psychedelic doom boogie,” the group was born out of Kingman’s desire to create a loose, groove-heavy bar band that never sacrifices the importance of good, honest songwriting. Doing so required pulling together a local supergroup of friends, neighbors, and fellow Laurelthirst royalty, including drummer Tyler Thompson and multi-instrumentalists Jay Cobb Anderson (lead guitar, harmonica), Lewi Longmire (bass, guitar, pedal steel, flugelhorn, mellotron, lap steel) and Sydney Nash (keys, bass, slide guitar, cornet). It’s a band of deeply contrasting styles buoyed by a sincere and palpable mutual trust — one that allows them to find and lose the groove with the same ease. They build graceful, spaced-out landscapes around Kingman’s storytelling — his voice ragged and broken one moment and raging the next — only to deconstruct them through a fit of manic and often dissonant rabbit holes. And Kingman’s equally irreverent, delicate, and cerebral first-person narratives somehow merge seamlessly with it all.