Genre: Concerts

Rhythm Clinic (First Friday Fundraiser for ACCESS Reproductive Justice)

Starline Social Club Presents Rhythm Clinic x Heart of Gold DJs Cherry Pie Birthday Benefit Proceeds to ACCESS Reproductive Justice With DJs: Cinnamon Fuzz, Cherry Pie (KALX!), DJ Demir, Braveheart, Rodchenko, Wendy StonehengeHouse Disco Funk Boogie New Wave Italo Live in the Crystal Cavern First Friday October 7 – Doors/Show @ 8pm$5 advance, $10-20 sliding scale donation at the door21+————–

STATUS feat. Large Professor

Starline Social Club, Francisco Street Productions and. Solidarity Records Present:LARGE PROFESSORRAW WATTAGEAMKRICH AYALATHE SICK BOYZLive in the BallroomThursday September 15 2022 – Doors @ 9pm$20 adv // $25 dos18+———————–

Sweater Funk (First Friday)

Starline Social Club PresentsSWEATER FUNKw/ Kirk, Ren, Noel & GuillermoLive in the Crystal CavernFirst Friday Sept 2, 2022 – Doors @ 8pmFREE – SLIDE THROUGH!!!!!!21+———————–

Archer Oh w/ AP Tobler

Starline Social Club PresentsARCHER OHAP TOBLERLive in the Crystal CavernSaturday Dec 3 2022 – Doors @ 7pm$13 adv // $16 dosAll Ages——————————-Ages of consecutive, bucket-list-worthy support gigs – including two U.S. tours alongside The Red Pears – have made Moreno Valley’s not-so-best-kept secret near-impossible to ignore. Est. 2015 by Arturo “Archer” Medrano, the four perform with vehement passion, yet are infectiously silly & kind. Undeniably, what makes Archer Oh so easy to love is their unprecedented ability to be themselves. Debut studio LP Gradients to release this year.

Emo Night Brooklyn (21+)

Starline Social Club PresentsEMO NIGHT BROOKLYNLive in the BallroomFriday September 16 2022 – Doors @ 9pm$17 early // $19 advance // $20 Last Chance21+—————

Holy Fawn w/ SOM & Grivo

Starline Social Club PresentsHOLY FAWNSOMGRIVOLive in the BallroomSaturday November 5, 2022 – Doors @ 8pm$18 adv // $22 dos18+——————— Through an otherworldly conjuration of heavy guitars, soothing dissonance, and textural space,HOLY FAWN invokemusic from seen and unseen corners and crevices of the wilderness. Likean ancient culture exalting the sacred spirit of nature, the music mirrors the onset of night in thewoods, a delicate push-and-pull of ominous sonic omens and blissful vocal calm.Aquiet launch landed “Death Spells”, their debut record, in the hands of a few tastemakersduring 2018, and it took up residence in the minds of fans and critics alike. Stereogum lauded itas one of the “Top 50 Records of 2018.” New Noise described it as a“sonic adventure,” andHeavy Blog Is Heavy called them, “wholly unique.” Additionally, they earned the fandom ofThrice’s Riley Breckenridge and Lamb of God’s Randy Blythe who promised, “listening fromtop-to-bottom will take you on a trance-inducing journey.”The Phoenix quartet—Ryan Osterman [guitar, vocals], Evan Phelps [guitar], Alexander Rieth[bass, vocals], and Austin Reinholz [drums, vocals]—are currently recording their sophomorefull-length album coming in 2022.

Ayla Nereo w/ Marya Stark

Starline Social Club PresentsAYLA NEREOMARYA STARKLive in the BallroomThursday September 29 2022 – Doors @ 7pm$25 adv // $30 dos18+——————Ayla Nereo is as a voice for the planet, a modern bard and beacon who dances songs directly from her soul. With lyrical poetry splashing across a canvas of sound, her music has an uncanny ability to disarm and crack open the heart, as she sings for the depth of our humanness, and for the return to our pure wonder of existence. Her lucid storytelling and magical presence onstage and off creates a force field that is palpable, joyous, deep, and utterly enchanting.   With a particular joy for bridging musical styles, Ayla’s songs seem a genre unto their own, as she weaves between vocal looping, produced beats, live drumming, orchestral string arrangements, Celtic melodies, disco rhythms, electronic soundscapes, and even dashes of hip-hop wordplay. Calling us to listen deeper, her songs are elegant masterpieces of lucid storytelling, with lyrics ringing as anthems for planetary healing, human potential, beauty, and compassion.  Though you’d never know it by witnessing her perform, Ayla grew up with an intense fear of singing. In her final year of college, songs began pouring through her, and it was only through the constant urging of those around her that she began to slowly share her music. Propelled by the songs themselves, Ayla’s journey of meeting those fears and singing through them has grown her into the powerful performer she is today, touching an ever-widening global audience with the inspiring magic of her songs.  A child schooled at home in the hills of Sonoma County, Ayla was raised on Cat Stevens, Bob Dylan, opera, classical music, traditional celtic songs, and ABBA — influences which have deeply shaped her music. Touching on both the timeless and modern, she always rides the line between genres, so that her songwriting and sound ultimately cannot be compared to anyone else.  Dancing her own songs on stage as she sings them, her movement and presence gives the audience a permission to be wild, real, vulnerable, and alive. Every performance Ayla gives is its own inspired journey; an enchanting and poignant experience that holds you by the heart and doesn’t let go.

High Pulp w/ Oddity

Starline Social Club PresentsHIGH PULPODDITYLive in the Crystal CavernSaturday September 24, 2022$13 adv // $15 dos18+———————“We’re a bunch of outsiders who refused to be kept out,” says High Pulp drummer Bobby Granfelt. “We’ve never had an academic approach to jazz—most of us grew up playing in DIY bands—so it was the rawness and the energy and the absolute freedom of the music that called to us in the first place.”Drawing on bebop, punk rock, shoegaze, hip-hop, and electronic music, experimental jazz act High Pulp are announcing ‘Pursuit of Ends, their first full-length album with Los Angeles’s ANTI- Records. The frenetic “All Roads Lead To Los Angeles” is the first song from the album they have shared, which hints at the breakbeats of Louis Cole as it reflects the constant barrage of stimuli that define our modern lives.
High Pulp’s music is both vintage and futuristic all at once, hinting at times to everything from Miles Davis and Duke Ellington to Aphex Twin and My Bloody Valentine. The songs on ‘Pursuit of Ends’ balance meticulous composition with visceral spontaneity, and the performances are nothing short of virtuosic, fueled by raw, ecstatic horn runs ducking and weaving their way around thick bass lines and dizzying percussion.While the Seattle-based collective is centered around a crew of six core members, they also make judicious use of a broad network of collaborators on the album, wrangling special guests like sax star Jaleel Shaw (Roy Haynes, Mingus Big Band), harpist Brandee Younger (Ravi Coltrane, The Roots), GRAMMY-nominated trumpeter Theo Coker, and keyboardist Jacob Mann (Rufus Wainwright, Louis Cole) to help stretch the boundaries of their already-expansive sonic universe. The result is a lush, cinematic collection that’s as unpredictable as it is engrossing, an urgent, exhilarating instrumental album that manages to speak to the moment without uttering a single word.

Music has been more than just medicine for High Pulp these past few years; it’s also been a source of community and meaning. Born out of a loose, weekly jam session hosted at Seattle’s historic Royal Room, the band came together the way a good heist crew might. There was keyboardist Antoine Martel, a mad scientist with a wall of modular synthesizers and a passion for film scores and abstract soundscapes; keyboardist Rob Homan, whose innate ability to process, deconstruct, and reassemble material on the fly bordered on the scary; bassist Scott Rixon, a convert from the metal and hardcore world with impeccable pop sensibilities and a selfless ability to serve the song; tenor saxophonist Victory Ngyuen, a Pharoah Sanders acolyte with an ear for urgent, entrancing solos of the highest order; alto saxophonist Andrew Morrill, whose bold tones and fearless harmonic sensibilities earned him a reputation for pushing the old school into the 21st century; and last but not least, Granfelt, whose hip-hop- and bebop-inspired drumming laid the foundation for the entire project.

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