Quasi w/ Hurry Up (MOVED TO IVY ROOM)

Ages 18 and up
Saturday, February 25
Doors: 8pm // Show: 9pm

MOVED TO IVY ROOM –> https://www.venuepilot.co/events/66155/orders/new

Starline Social Club Presents

with Hurry Up

Live in the Ballroom – MOVED TO THE IVY ROOM
Saturday February 25 2023 – Doors @ 8pm
$22 adv // $24 dos

Breaking the Balls of History is Quasi’s tenth record, landing ten years after their last record, on

February tenth. Three tens, which aligns with the thirty years they’ve played together. Sam

Coomes and Janet Weiss have become Pacific Northwest icons, and Quasi has always felt so

steadfast— their enduring friendship so generative, their energy infinite, each album more

raucous and catchy and ferocious and funny than the last. But we were wrong to ever take

Quasi for granted. For a while, they thought 2013’s intricate Mole City might be their last

record. They’d go out on a great one and move on.

Then in August 2019 a car smashed into Janet’s and broke both legs and her collarbone. Then a

deadly virus collided with all of us, and no one knew when or if live music as we knew it—the

touring, the communal crowds, the sonic church of the dark club—would ever happen again.

“There’s no investing in the future anymore,” Janet realized. “The future is now. Do it now if

you want to do it. Don’t put it off. All those things you only realize when it’s almost too late. It

could be gone in a second.”

Under lockdown, Portland’s streets fell still, airplanes vanished, wildlife emerged. And with the

obliterated normal came an unexpected gift: uninterrupted time, hours every day, to make art.

Quasi couldn’t go on the road, so they got an idea: they would act as if they were on tour and

play together every single day. Each afternoon, Sam and Janet bunkered down in their tiny

practice space and channeled the bewilderment and absurdity of this alien new world into

songs. Janet’s strength returned and rose to athlete-level stamina. “When you’re younger and

in a band, you make records because that’s what you do,” Sam said. “But this time, the whole

thing felt purposeful in a way that was unique to the circumstances.” They knew they would

keep it to just the two of them playing together in a room. They knew they’d record the songs

live and together, to capture a moment.

The incredible result of those sessions is Breaking the Balls of History, recorded in five days and

produced by John Goodmanson at the legendary Robert Lang Studios in Shoreline, WA. Here

are two artists at their prime, each a human library of musical knowledge and experience,

entirely distinctive in their songcraft and sound. In Quasi-form, the band becomes alchemically

even greater than the sum of its parts: Janet’s galloping drums and Sam’s punk-symphonic

Rocksichord and their intertwining vocals make something gigantic, anthemic. In the thick of a

cataclysmic social and political moment, they’ve crafted exquisitely melodic songs that glitter

with rage and wild humor and intelligence, driven by a big bruised pounding heart.